Two vignettes: “La Mujer Fría,” about competing journalists, and “La Mujer Felíz,” about a housewife and her two men.

While out collecting for charity, Miss Jane Marple (Margaret Rutherford) visits an antisocial villager (Robert Morley), and he suddenly drops dead in her presence. Suspicious of the circumstances, Marple eavesdrops on the reading of his will and subsequently shadows various members of the family who seem suspicious. As the bodies pile up, Miss Marple suspects she has the guilty party cornered, but she needs to find the last bit of proof before it’s too late.

The narrative unfolds, exposing a tale of betrayal, revenge and the collateral of unchecked desires.

A secretive monk, a mysterious woman and a teacher thwart a detective’s (Duane Sharp) murder investigation at a Buddhist temple.

Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature’s wrath and their own morality.

Twelve-year-old Milton Adams (William Ainscough) feels his world is in crisis. With his parents stressing about their careers and finances, and the neighborhood bully tormenting him, he is constantly anxious. When Milton’s optimistic grandfather (Donald Sutherland) comes to visit, he learns the secret to finding true happiness from a man who has seen the world and who has committed to living life in the present.

After Sam finds his phone frozen in a mysterious game loop, Jo elicits the help of her friends to uncover the mystery.

Fresh Kills brings late 1980s Staten Island to vivid life through the lens of Rose Larusso (Emily Bader), an inquisitive young girl who discovers her father (Domenick Lombardozzi) is an emerging mafia kingpin. Rose’s growing desire to break free from the path set before her soon threatens her existence and alienates her from her closest allies: her mother Francine (Jennifer Esposito), her sister Connie (Odessa A’zion), and her aunt Christine (Annabella Sciorra).

A group of young women, who are trying to make it in the adult entertainment industry, quickly realize how tumultuous things are behind the scenes.

GLORIAVALE is an observational documentary examining the widespread abuse inside the infamous Gloriavale Christian Community cult and the institutional failures that have allowed it to continue. Exploring the secretive community through never before seen home video footage, the filmmakers follow the Ready family as they mount a ground-breaking legal case against the cult’s powerful leaders. Long associated with allegations of sexual and physical abuse, human rights violations and fraud, the true extent of Gloriavale’s crimes and the cruelty of its leaders is exposed as the Ready family risk losing their home, their community and those they love for a chance to bring positive change to Gloriavale.

Trevor McNills suffers from an obsessive-compulsive personality disorder. Fascinated by the beauty of his young employee Natalie, Trevor will begin to make the girl’s life a hell, turning the attraction for her into a real obsession.

Exploring why it is important to go to Mars, noting that space exploration can expand technology, further the understanding of the universe and foster peaceful connections among nations.

A brave and ambitious warrior battles opponents.